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Tom Hanks stars in this thrilling portrait of heroic airline pilot Chesley "Sully" Sullenberger, re-enacting his incredible successful emergency landing of an Airbus A320 full of passengers on the Hudson River.
About Sully
Artist : Tom Hanks, Laura Linney, Aaron Eckhart, Autumn Reeser, Jerry FerraraAs : Chesley
Title : FREE Viewing 2016 Sully Filmes
Release date : 2016-09-09
Movie Code : 3263904
Duration : 95
Category : Drama
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"Sully" is the kind of film that may be described as old-fashioned and never goes out of style.
At once a true-life drama about heroism and people working in harmony under exceptional conditions .
Although not an Oscar-worthy endeavor, Sully proves to be by turns engaging, exhilarating, and nail-biting.
"One of the best movies of 2016."
You've heard of straw men? This is a straw movie.
Clint Eastwood is simply the ideal director for a big-screen telling of the "Miracle on the Hudson" hero pilot story that Sully delivers with confidence and grace.
Whether you want to accept it or not, Eastwood remains one of the best and most quixotic filmmakers we have, torn between jingoism and doubt, exceptionalism and despair.
This is Hanks' show, and he delivers a typically strong performance, quickly allowing us to forget that we're watching an actor.
Sully can feel like a dutiful, hagiographic slog, even though its actual running time barely tops 90 minutes and both Hanks and Eckhart give warm, understated, funny performances in the only two roles developed enough to qualify as real characters
Taut and vivid.
There's a good idea for a movie here. In fact, there are two. But the movie itself never quite takes off.
Like Sully, Hanks makes the impossible seem effortless. Listen up, Oscar. Hanks and director Eastwood deserve the three words Sully prizes most: Job well done.
As Clint Eastwood's Sully proves, the Miracle on the Hudson is actually lousy material for a movie.
There is something compelling about someone who simply shows up for the job, day after day, carving out the remarkable from the unremarkable.
Hanks is very good at playing an Everyman, and Eastwood is content to showcase Sullenberger in that way.
Inevitable is how "Sully" feels. That, and a little soggy.
Good people doing their jobs thoughtfully and at the height of their abilities, working together under unprecedented and extraordinary circumstances. Sometimes all of those things come together to create a miracle, and "Sully" is a warm reminder of that.
Sully is fascinating as a study of Eastwood's persecution complex, his fear that not everyone in the world adequately worships an accomplished white man.
Hanks's Sullenberger is by far Eastwood's most untarnished standard-bearer to date. Not even Nelson Mandela came off looking this good.
The only real reason we care about Sully is what happened in that plane. In that regard, and only that regard, Sully absolutely delivers.
"Sully" is a classy, enormously satisfying ode to simple competence. To paraphrase the title character, it's just a movie doing its job. And amen to that.
[A] plainspoken and disarmingly delicate conception of heroics, which might be Eastwood's best work since Million Dollar Baby.
Eastwood has delivered a no-frills affair, almost to a fault. A brisk 96 minutes, the movie is workmanlike in its approach, yet still manages to be stirring thanks to the subject matter.
Efficient and effective in Eastwood's experienced hands, "Sully" has interwoven a crisp and electric retelling of the story of the landing we know with a story we do not .
Sully remains an impressive achievement, a portrait of a good man whose heroism lay in having the right stuff and knowing how to use it during a small eternity of looming chaos and unprecedented peril.
Thrilling when we're on and around the plane (seeing that giant CGI bird splash down, especially on an Imax screen, makes you realize how improbable the whole enterprise was) and too often thudding when we're not.
"Sully" isn't interested in going anywhere new. Watching the movie, you can feel Eastwood hurrying up to finish to move on to his next thing.
That it unnerves you as much as it does may seem surprising, given that going in, we know how this story ends. But Mr. Eastwood is also very good at his job, a talent that gives the movie its tension along with an autobiographical sheen.
Eastwood delivers an earnest, straightforward look at the way the captain's professionalism saved the day. But while that aspect of the movie hits more than a few obvious notes, the crash is the real star of the show.
It may not be a classic, but it is enormously crowd-pleasing for the story and its reminder that ordinary people can do extraordinary things in a crisis.
It's an effectively thrilling story of quietly unassuming, can-do American heroism-the kind, sadly, we don't get to witness much these days.
There's a lively, hard-to-ignore subtext here, wherein an 86-year-old classicist filmmaker tells the story of an experienced captain, still alive because of his confident human instincts, under threat by an industry's over-reliance on computer simulation.
Even as recently as American Sniper, Eastwood has done a much better job than this of shading in the grays of what constitutes heroism, both during and after the fact. Sully is so square, it's a wonder it even gets airborne.
Eastwood moves slowly to the landing but gives it its full due. Filmed on IMAX, his big, clear images nevertheless remain somber - as does Eastwood's own quiet score - in the big, awaited moment.
The event itself remains a stunner, but Clint Eastwood's somewhat drab drama sheds no new light on the media-shy pilot.
A fierce, stark, haunted drama of horror narrowly avoided.
A porterhouse of a movie that touches your heart.
The movie is more than worth seeing .
If Tom Hanks hadn't existed to play the title role, Eastwood would have had to invent him: This is one of those cases where movie-star persona and real-life legend blend perfectly.
At its heart, this is a thrilling tribute to a modest hero who rose to an extraordinary occasion.
By turning an emergency that lasted a little more than two minutes into an accomplished, unsettling adventure thriller, Eastwood is at the controls of a movie machine that other directors could send skidding off the runway.
Hanks does an admirable job of showing Sully's humiliating stress while his reputation was being challenged, with the first-rate support of a cast that includes Laura Linney as his wife, and Jamey Sheridan and Anna Gunn as his surly inquisitors.
Watching that airplane land on the Hudson River is a heart-stopping wonder. But the entire ordeal lasted just 208 seconds. The movie is 96 minutes.
In the end, "Sully" is a broadly crowd-pleasing movie, at a time when we could use the straight-forward entertainment.
Hanks pulls off the earnest optimism and unassuming humility that made Sullenberger a media darling right after the incident.
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